Decadence is a cyclical circumstance moving with the turns of the centuries. Following a four-season study of glamour in the millennial age, the Spring-Summer 2019 Artisanal collection marks a new investigation for Maison Margiela. Observing the excess and artifice engendered by the digital world, creative director John Galliano ventures into a new era of decadence. The overstimulation of computer-generated imagery alters reality and degenerates the truth. Chaotic and unsettling, it is a confusion of the senses rooted in an over-satiation that inevitably overspills. For the generations born around the millennium, it breeds a spirit of le malaise de la fin du siècle. Revolution: a desire for change. Maison Margiela renders the decadence of our time and examines if inverted excess could lead to a new appetite for restraint.

We Margiela tells the untold and intimate story of the enigmatic and singular fashion house Maison Martin Margiela. For the first time co-founder Jenny Meirens and members of the creative team that formed the heart of the house speak about the creative processes and unique philosophy of Margiela. Their stories, told through detailed and intimate interviews, give unprecedented insight in the genesis of one of the most influential fashion houses of our time. The film investigates the legacy of Margiela and its relevance for fashion and authorship today. The unique innovations of the house, such as anonymity, re-usage, 'we' versus 'I,' and replica versus copy, turn out to be central concepts of our time. As the history of the house is told in parallel to the creative development and financial growth of Maison Martin Margiela, the film unravels notions of creativity, authorship, and financial return in our neoliberal times. However, the insights of We Margiela are not self-evident. Interviews will reveal that many, now iconic images and notions of the Maison came into existence by coincidence and intuition, not preconceived concepts. The house was managed by strong gut-feelings and a deep pleasure in taking creative risks. As co-founder, Meirens states: 'When you want to please others and everyone, you will get nowhere. I think you have to diversify yourself from others. In the long run, it will give you the freedom not to answer to the system.' Ultimately, Maison Martin Margiela, was one of the earliest contemporary avant-garde fashion houses to succumb to the pressure of financial growth. After the selling of the house, the founders retired almost immediately from public life. Both employees and aficionados were left disillusioned. Meirens and Margiela never spoke to one another again.

We Margiela tells the untold and intimate story of the enigmatic and singular fashion house Maison Martin Margiela. For the first time co-founder Jenny Meirens and members of the creative team that formed the heart of the house speak about the creative processes and unique philosophy of Margiela. Their stories, told through detailed and intimate interviews, give unprecedented insight in the genesis of one of the most influential fashion houses of our time. The film investigates the legacy of Margiela and its relevance for fashion and authorship today. The unique innovations of the house, such as anonymity, re-usage, 'we' versus 'I,' and replica versus copy, turn out to be central concepts of our time. As the history of the house is told in parallel to the creative development and financial growth of Maison Martin Margiela, the film unravels notions of creativity, authorship, and financial return in our neoliberal times. However, the insights of We Margiela are not self-evident. Interviews will reveal that many, now iconic images and notions of the Maison came into existence by coincidence and intuition, not preconceived concepts. The house was managed by strong gut-feelings and a deep pleasure in taking creative risks. As co-founder, Meirens states: 'When you want to please others and everyone, you will get nowhere. I think you have to diversify yourself from others. In the long run, it will give you the freedom not to answer to the system.' Ultimately, Maison Martin Margiela, was one of the earliest contemporary avant-garde fashion houses to succumb to the pressure of financial growth. After the selling of the house, the founders retired almost immediately from public life. Both employees and aficionados were left disillusioned. Meirens and Margiela never spoke to one another again.

A story revolves around a 26-year-old single woman Sachi who lives in Tokyo working for a pub. She frequents a show house alone as she plans to buy a home of her own. She looks around the room seriously and asks incisive questions to the attendants. Through her house hunt, we can catch a glimpse of what the modern Japanese women truly want.

暂无剧情简介

暂无剧情简介

Sassy sitcom centering on radio and television personality Martin Payne. Series focuses on his romantic relationship with girlfriend Gina, her best friend Pam and escapades with best friends Tommy and Cole.

Sassy sitcom centering on radio and television personality Martin Payne. Series focuses on his romantic relationship with girlfriend Gina, her best friend Pam and escapades with best friends Tommy and Cole.

After having a nearly fatal drug overdose, 19-year-old Argentine Martin is sent to Madrid, where his film director father lives with his new, younger lover, Alicia, and his bisexual actor friend, Dante.

Martin revolves around Lt. Brigadier Arjun Saxena, whose journey takes him from Pakistan to India to discover his real identity and fight against black market dealers, who are involved with terrorists to orchestrate massive attacks in the country.